Love and Selfishness in Love in L.A. by Dagoberto Gilb Essay

Love and Selfishness in Love in L.A. by Dagoberto Gilb Love in L.A., written by Dagoberto Gilb, is a story full of irony and multiple themes. The story is set in Hollywood during the summer time. Written in third person objective, Love in L.A. guides the reader along through the story as opposed to an omniscient point of view. The story begins with Jake driving on the freeway. He is so enraptured by his daydream of better possibilities that he ends up smacking the car ahead of him. Jake considers driving away but instead he stops and finds out that the owner of the Toyota he hit was a beautiful girl. From there, Jake switches into his smooth talker role with Mariana. Jake then tries to con her by saying he doesnt†¦show more content†¦He needed an FM radioIt would have crushed velvet interior with electric controlexotic colognes all of these contribute to the theme of selfishness and greed. He does not need an FM radio but rather wants one. Everything he wants contributes to his rapaciousness. The most prevalent theme in this story is loneliness. Jake is obviously lonely, so much so that he stoops to such pathetic lines as, Im kinda hoping so, just so it takes a little more time and we can talk some. Or else you can give me your phone number now and I wont have to lay my regular b.s. on you to get it later. His loneliness also shows when Gilb describes how, her hand felt so warm and soft he felt like hed been kissed. Jake seems to crave the human intimacy of love, and yet all he does is flirt with a woman whom he does not even care for enough to be truthful to. This is also situational irony. Corresponding with this theme of loneliness is the concept that everyone is looking for love. This need is very evident in Jake and is also displayed in Mariana. No intelligent female would even relent a little in the face of such an apparent swindler as Jake. However, Mariana must be a little flattered and lonely because she smiles at his attentions and even makes small tal k with him. Among these themes, lies another one; there are infinite possibilities. Any one person can meet their match at any time. For Jake, Mariana could haveShow MoreRelatedOConnor and Dagoberto1591 Words   |  6 PagesIt is believable that O’Connor and Dagoberto are known as writers of high caliber. The way that they write is out of ordinary and their muses are unparalleled. Each of them offers a great taste of writing to their readers and their stories sound very pleasant to savor. However, this paper will oppose â€Å"A Good Man Is Hard to Find† to â€Å"Love in L.A.† The focus will be on these themes: symbolism, characters, theme, tone, irony and moral code used in them. The demographic location of A Good Man is HardRead MoreA Love in La and Good Man Hard to Find Essay examples1244 Words   |  5 Pagesthink of it. I did not notice any of the characters of both stories in the sense of similarity. But the jack and grandmother were kind of same sense of selfness. The both character think only for them self and want all the intension towards them. Love in L.A, a story of the person whose name is jack and seems like he is very lazy and disappointed from his lifestyle, wants to get some change in his lifestyle. One day jack was driving on a free way in los Angeles, suddenly he hit a car from back side

My Experience At The University Of Kentucky - 1556 Words

In the beginning of the semester, I decided to volunteer six hours at Union College of Kentucky. In doing so, I participated in miscellaneous activities around campus. I spent one hour giving a tour of the campus to perspective high-school students from around the country. This opened my eyes to the importance of visiting a place before someone makes a decision on moving there. Personally, I committed to going to a college without visiting the campus first which in turn hurt me because I did not feel any sort of familiarity which led to uncomfortable feelings. I spent two hours cleaning up around the campus by picking up trash, gathering fallen limbs from trees, and collecting leaves and putting them into trash bags. I spent another two†¦show more content†¦I did so with a fellow Union College student so that the perspective students could ask questions and make comments freely. Throughout the tour, I picked up on different student’s body language, behavior, and their comments. There were a few students that were very talkative, asking questions, talking amongst other students, and letting their parents walk amongst themselves so that they could get to know other students. I was surprised to see that a majority of the students kept close to their parents, some of them stayed glued to their cell phones, rolled their eyes when their parents asked them to put their phones away, and continuously complained asking â€Å"when will this be over?†. Some students appeared to be more reserved, looking anxious, almost as if they felt like they did not belong. I was there once, as I am sure many soon to be college students have been. One student flew all the way from California to tour Union’s campus, and he looked uneasy. While discussing the small town surrounding the school and the closest mall, movie theater, etc. I heard him say to her father â€Å"I’m not sure if this is the right school for me, it’s just so far away from everything and home†. Change is never easy so I understood each and every one of the student’s reactions because all of them are completely normal and acceptable. As for the guy from California, I came

Gender Stereotypes And Gender Codes - 1754 Words

Essay #2 Evolution of Females in Film It is evident that over the course of time, the portrayal and depiction of females in film in regards to their acting roles has evolved. Film significantly influences how society perceive social norms, and gender roles. However, it appears as the roles of females in this platform are often depicted in the following categories: the lover, victims, and the revengeful women/the villain, which can also be known as the femme fatale character. These common roles that women actresses portray often re-emphasize stereotypes and gender codes in today’s American society by providing females with roles that often illustrate females as inferior to males. In this analysis, I will talk about how gender codes are†¦show more content†¦Kay wanted to be independent and was a teacher and she wanted to keep working and still be independent ,but it turned out to be the complete opposite of that. Kay was constantly being lied to by Michael. As Aaron Devor says in Gender Roles and behaviors â€Å"hence its popularity believed that the social position of females is biologically mandated to be intertwined with the care of children and a ‘natural’ dependency on men† (Devor 506). Kay was beside Michael as he traveled through his journey of crime. As Devor said women were dependent on their significant other, Kay’s character did not have autonomy over the life she was living anymore, eventually when they got married and had children she remained in her relationship mainly to protect and care for her children. Kay was being pushed out from being in control of her life and turned into living Michael s life of crime. Hence, the gender codes reflected in film at the time for females reflected the societal values of women caring for family, and being obedient, dependent and complaisant. The femme fatale role has been represented in film as an attractive and seductive female, that uses her physical attributes and charm to infatuate and enchant men and ultimately brings disaster to the life of the men who fall in love with her. This depiction of females, is a unique way of representing females given that the role breaks away from the initialShow MoreRelatedMedia, Youth And Culture : Application Of Theory1664 Words   |  7 PagesMedia, Youth and Culture Application of Theory to Culture Discuss the ways in which gender identities are constructed and expressed through media and popular cultures? This essay will address the way in which gender identities are constructed and expressed through media and popular cultures using Hebdige’s theory; Symbolic Interaction. 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Distribution Channel of Coca Cola Essay Example For Students

Distribution Channel of Coca Cola Essay EXECUTIVE SUMMARY Today cold drinks have become an important item of refreshment. Cold drinks are an important part of each and every occasion that provides freshness. Worldwide, Coca-Cola and Pepsi are well known as the best soft drinks in the field of beverages. Under the present scenario companies are facing major problem that is â€Å"How to meet the consumer need. † The mind of the consumer is very unpredictable and it is very difficult to know what is going in the mind of the consumer. In today’s market situation, consumer has various options and choice. He can choose the best options available in the market, which gives them better service for the long time. So, in order to fulfill all the needs and demands of the consumer, the manufacturing companies should concentrate on the distribution channel and should make an effective and efficient distribution network. As we all know that the distribution channel is only one way through which the product is reaches to its consumer. So the company should have an effective distribution network which satisfy the demand and provide services to the consumer. In India, Coca-Cola and Pepsi are the main beverages making companies. These companies have flooded the market with various brands of beverages. The objective of the study is to study the distribution channel of COCA-COLA pvt. Ltd. In There are 8 distributors Nagpur market and to find out the factors responsible for low distribution and suggest the measure to improve the scenario. In Nagpur, coca-cola pvt. Ltd. is one of the bottling plants of Coca-Cola Company which is situated in Maharashtra in MIDC, Hingna, and Nagpur-440028. Of Coca-Cola in Nagpur region. And there are 7000 retailers under these distributors but it was not possible to cover all the retailers so as a sample has been taken for the study under these distributors. To under the procurement of new for coke by visiting at Nagpur. Required information has been collected through questionnaires and personnel interview with retailers. This information is presented in the form of charts, tables and graphs as the requirement. Data has been analysis accordingly and conclusion has been drawn based on the data analysis. Possible suggestion has been recommended at the end of the study. The major finding and conclusion of the research study conducted by the researcher are given in brief as under:- 1. 1. COCA-COLA IN INDIA Coca-Cola was the leading soft drink brand in India until 1977 when it left rather than reveals its formula to the government and reduces its equity stake as required under the Foreign Exchange Regulation Act (FERA) which governed the operations of foreign companies in India. After a 16-year absence, Coca-Cola returned to India in 1993, cementing its presence with a deal that gave Coca-Cola ownership of the nations top soft-drink brands and bottling network. Coke’s acquisition of local popular Indian brands including Thums Up (the most trusted brand in India), Limca, Maaza, Citra and Gold Spot provided not only physical manufacturing, bottling, and distribution assets but also strong consumer preference. This combination of local and global brands enabled Coca-Cola to exploit the benefits of global branding and global trends in tastes while also tapping into traditional domestic markets. Leading Indian brands joined the Companys international family of brands, including Coca Cola, diet Coke, Sprite and Fanta, plus the Schweppes product range. In 2000, the company launched the Kinley water brand and in 2001, Shock energy drink and the powdered concentrate Sunfill hit the market. From 1993 to 2003, Coca-Cola invested more than US$1 billion in India, making it one of the country’s top international investors. By 2003, Coca-Cola India had won the Prestigious Woodruff Cup from among 22 divisions of the Company based on three broad parameters of volume, profitability, and quality. .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 , .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 .postImageUrl , .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 .centered-text-area { min-height: 80px; position: relative; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 , .ud5c3fcc6f59fab0e3da4a1b8dc0c8970:hover , .ud5c3fcc6f59fab0e3da4a1b8dc0c8970:visited , .ud5c3fcc6f59fab0e3da4a1b8dc0c8970:active { border:0!important; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 .clearfix:after { content: ""; display: table; clear: both; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970:active , .ud5c3fcc6f59fab0e3da4a1b8dc0c8970:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 .centered-text-area { width: 100%; position: relative ; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970:hover .ctaButton { background-color: #34495E!important; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970 .ud5c3fcc6f59fab0e3da4a1b8dc0c8970-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud5c3fcc6f59fab0e3da4a1b8dc0c8970:after { content: ""; display: block; clear: both; } READ: Alexander The Great EssayCoca-Cola India achieved 39% volume growth in 2002 while the industry grew 23% nationally and the Company reached breakeven profitability in the region for the first time. Encouraged by its 2002 performance, Coca-Cola India announced plans to double its capacity at an investment of $125 million (Rs. 750 crore) between September 2002 and March 2003. In 2003, Coca-Cola had 17 manufacturing units, 60 distribution centers catering to 5,000 distributors and one million retail outlets, serviced via trucks and three-wheelers. Coca-Cola directly employed 10,000 people. Coca-Cola India produced its beverages with 7,000 local employees at its twenty-seven Wholly-owned bottling operations supplemented by seventeen franchisee-owned bottling. Operations and network of twenty-nine contract-packers to manufacture a range of products for the company. The complete manufacturing process had a documented quality control and assurance program including over 400 tests performed throughout the process. Almost all the goods and services required to produce and market. Coca-Cola in India are made locally, sometimes with the help of technology and skills from the Company. The complexity of the consumer soft drink market demanded a distribution process to Support 700,000 retail outlets serviced by a fleet that includes 10-ton trucks, open-bay three wheelers, and trademarked tricycles and pushcarts that were used to navigate the narrow alleyways of the cities. In addition to its own employees, Coke indirectly created employment for another 125,000 Indians through its procurement, supply, and distribution networks. While The Coca-Cola Company is a global company with some of the world’s most widely recognized brands, the Coca-Cola business in India, as in each country where coca-cola operate, is a local business. Our beverages are produced locally, employing Indian citizens, our product range and marketing reflect Indian tastes and lifestyles, and we are deeply involved in the life of the local communities in which we operate. BOTTLING OPERATIONS The Coca-Cola system in India comprises 27 wholly-owned Company-owned bottling operations and another 17 franchisee-owned bottling operations. A network of 29 contract-packers also manufactures a range of products for the Company. Almost all the goods and services required to produce and market Coca-Cola in India are made locally, sometimes with the help of technology and skills from the Company. CREATION OF THE IDEA OF THE SOFT DRINK: In olden days people used to quench their thirst by taking â€Å"Water† and â€Å"Ganna Juice† or they use â€Å"Lemon water† (a concentrate of water lemon and sugar) or fruit juice which is still prevailing in the market. But as we know people became more and more efficient, there was a felt needed for more sophisticated means of satisfying thirst, which ultimately gave way to the production of the modern soft drinks. 1. 2. AIM AND OBJECTIVES 1. AIM:- To study the procurement of new order of coke by visiting at nagpur . 2. Objectives: The aim that has been kept during the research work for the objective to be accomplished and the aspect/ area to be covered during the research are highlighted below:- (i)To generate consumer interest including trials to enlarge the market. (ii)To improve its position in the market. (iii)To modify the attitudes and understanding of the customer. (iv)To generate inquiries from the target customer group for customer contacts. (v)To safeguard outlets from canalization. (vi)To increase the rate of purchase for increasing the sale. (vii)To know whether retailers are satisfied with company’s distribution network. viii)To know the scheme that is given by the retailers to the consumer to increase the sale. 1. 3. Mission, Vision Values MISSION Everything we do is inspired by our enduring mission: †¢To Refresh the World in body, mind, and spirit. †¢To Inspire Moments of Optimism through our brands and our actions. †¢To Create Value and Make a Difference everywhere we eng age VISION To achieve sustainable growth, we have established a vision with clear goals. †¢Profit: Maximizing return to shareowners while being mindful of our overall responsibilities. †¢People: Being a great place to work where people are inspired to be the best they can be. Portfolio: Bringing to the world a portfolio of beverage brands that anticipate and satisfy peoples’ desires and needs. †¢Partners: Nurturing a winning network of partners and building mutual loyalty. †¢Planet: Being a responsible global citizen that makes a difference VALUES We are guided by shared values that we will live by as a company and as individuals. †¢Leadership: The courage to shape a better future †¢Passion: Committed in heart and mind †¢Integrity: Be real †¢Accountability: If it is to be, it’s up to me †¢Collaboration: Leverage collective genius †¢Innovation: Seek, imagine, create, delight †¢Quality: What we do, we do well